Tate, UK: Meet the Artist: Michael Rakowitz

I love this video and I wish I could see Michael Rakowitz's show. I guess this will have to do. I remember being struck with Uday Hussein's interest in Science fiction but I didn't know the rabbit hole went this deep.

There can’t be many artists who have been interviewed both by TateShots and Star Wars Insider Magazine, but that’s what happened to Michael Rakowitz as he put the finishing touches to his Tate Modern exhibition. Star Wars fans, it seems, were as eager as us to find out the links between science fiction fantasy and the reality of war, with Darth Vader’s iconic helmet playing an unexpected role. Rakowitz’s exhibition explores seemingly implausible connections between objects and events. Included in the show are a diverse range of material, from the ‘Empire Strikes Back’ poster a young Rakowitz adorned on his bedroom wall, to WW2 memorabilia sourced from eBay, and an example of Sadam Hussein’s taste in literary cover art. Plagiarism claims, wrestling scandals and the Supergun affair are also thrown into the mix. In this video the artist is our guide around the exhibition.

Michael Rakowitz: The worst condition is to pass under a sword which is not one’s own, Tate Modern, until May 3, 2010.

Deutsche Borse Photography Prize 2010 Shortlist Announced

The Photography Prize Shortlist is always one to watch. Each year they call attention to the best of photography. Many times I know the photography but just as often the work is new to me. So, I get to learn about new and exciting image makers working on thought provoking art. This year is no exception and interestingly dominated by strong woman photographers. A welcome change. Take a look -

Anna Fox (b.1961, UK) is nominated for her exhibition, Cockroach Diary & Other Stories at Ffotogallery, Cardiff (28 July - 10 October 09), initiated by Impressions Gallery, Bradford.

Gallery site: ffoto gallery: Anna Fox – Cockroach Diary and Other Stories

Zoe Leonard (b.1961, USA) is nominated for her retrospective exhibition, ZOE LEONARD: Photographs, at the Pinakothek der Moderne, Munich (1 April - 5 July 09), initiated by Fotomuseum Winterthur.

Watch Zoe Leonard. Photographs / Retrospective at Pinakothek der Moderne, Munich | VernissageTV art tv

Sophie Ristelhueber (b.1949, France) is nominated for her retrospective, Sophie Ristelhueber at the Jeu de Paume, Paris (20 January - 22 March 2009).

slide show: Sophie Ristelhueber photographs at the Jeu de Paume | World news |

Donovan Wylie (b.1971, UK) is nominated for his exhibition MAZE 2007/8 at Belfast Exposed (27 March - 1 May 2009).

Check out more info on this work here: Belfast Exposed: Exhibitions

The annual award of £30,000 rewards a living photographer, of any nationality, who has made the most significant contribution, in exhibition or publication format, to the medium of photography in Europe between 1 October 2008 and 30 September 2009.

This year's Jury is: Olivia Maria Rubio (Director of Exhibitions, La Fabrica, Spain); Gilane Tawadros (Chief Executive, Design Artists Copyright Society, curator and writer); James Welling (artist, USA); and Anne-Marie Beckmann (Curator, Art Collection Deutsche Borse, Germany). Brett Rogers, Director of The Photographers' Gallery, is the non-voting Chair.

Jane & Louise Wilson, Unfolding the Aryan Papers

Unfolding the Aryan Papers by Jane and Louise Wilson

Unfolding the Aryan Papers by British artists Jane & Louise Wilson, exploring Stanley Kubrick's unrealized project entitled Aryan Papers.

watch the film here at the animate projects website. Geoffrey Cocks argued in his book The wolf at the door: Stanley Kubrick, history & the Holocaust that Kubrick gave up work on this project because he felt that cinema couldn't accurately depict something so deeply horrible as the holocaust. Instead Cocks believes that Kubrick tried to address this issue indirectly, specifically Cocks believes The shining is Kubrick's Holocaust film. I'm not sure about the validity of this argument but its an interesting theory next time I watch The Shining I'll keep this in mind.

Jane & Louise Wilson's project is more about mood and atmosphere of Kubrick's unfinished project and the act or non-act of film making.

from the press release:

This new commission by Animate Projects and the BFI, focuses on Stanley Kubrick's unfinished project Aryan Papers, a film about the Holocaust based on Louis Begley's book Wartime Lies. Prior to telling the story of a Polish Jewish woman and her nephew, who pretend to be Catholic in order to avoid persecution during the Nazi occupation of their country, Kubrick researched the project for many years and got as far as choosing the actors and the locations, but unfortunately the film was never made.

Researching the material available, Jane & Louise Wilson have focused on wardrobe research stills as well as period stills from the pre-production phase of Aryan Papers. The Gallery installation concentrates on newly-shot footage of Johanna ter Steege, the actress featured in the photographs originally taken by Stanley Kubrick and chosen by him as the female lead of the film. In a statement on this project, they commented on the 'enigmatic quality' of having only fragments of Aryan Papers available, something which they consider 'profoundly cinematic'. It is precisely the fragmentary nature of Aryan Papers which allowed the artists to work freely with the available material, without the constraints of competing with an already existing film. Despite not having been able to appear in the film, the female figure in the Wilsons' work is granted a visibility which was denied to her by the final course of events.

Jane & Louise Wilson are considered to be among the best artists of their generation in using the moving image. They have worked collaboratively for over 20 years on projects which are frequently research-based. Whether dealing with the Bosnian-Herzegovinian refugee community of Derby, decaying World War II bunkers or the dilapidated former Stasi headquarters in Berlin, the artists' sensibility for difficult subjects is expressed by carefully presenting their photographs and technically challenging moving image installations. The controlled nature of their works and the importance of meticulous research provide an interesting link between Kubrick and the Wilsons, which makes this project particularly fascinating. The exhibition also coincides with an extensive Stanley Kubrick season at BFI Southbank, providing an entrancing new context for the artists' work.

A commission by Animate Projects and the BFI with The Stanley Kubrick Archives, University of the Arts London.

If you're in london I'm sure it would be a good show to visit:

The Gallery at BFI Southbank London, SE1

13 February-19 April 2009
Admission free
11am-8pm, Tuesday-Sunday

via e-flux and reminded of via Horses Think